An experimental, visceral, precious, messy, emotional, exquisite, moving, raw, unusual, humble, cardboard tubed, high density narrative, low-fi aesthetic laboratory for the performing arts.
Pete, can you hear me?
Written and performed by Carrie Morris
With music by Forrest Bright
What happens when the object performed upon becomes the performer? And why do we love to look at Pete Townshend destroying guitars? A work about repeated behaviors, the gaze of the audience and the eyes of objects.